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What ever happened to Marxist film theory?

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“Give us our bread and our roses”:Ī materialist trans feminist approach to media criticismīy analyzing the television series Pose as a commentary on the 1990 documentary Paris is Burning, this essay explores the long history of trans cultural production being read (incorrectly) as antagonistic to Marxist theory and argues that formal analysis reveals how trans cultural production can effectively interrogate how subcultures use parody and performance to critique dominant values. This essay revisits Long Seventies discussions about the Black Aesthetic in order to argue that Black Radical thinkers were not only engaged in fraught political and theoretical conversations about aesthetics but also undermining the unique commodity form that mass media creates: audiences. Mapping the confrontation between the National Welfare Rights Organization and the development of computer-based fraud auditing systems aimed at criminalizing working-class women, this article tracks how the state of California appealed to computation’s alleged transparency in order to dismantle welfare programs in the late 1960s and 70s.Īesthetics, markets, and the anti-audience of Black media Taking housing as a site of exploration for contemporary media studies, this essay explores how media participate in economies of dispossession but can also build toward their undoing through an examination of Newsreel's Rompiendo p uertas/ Break and Enter (1971).Įngineering counterinsurgency against the Welfare Rights Movement Residential autonomy: economies of dispossession and their undoing Rompiendo puertas/ Break and Enter (1971)

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This essay analyzes the interrelationships between the real and fictional locations of contemporary TV show sand considers how their producers have profited from the history and ongoing reality of racial capitalism where the shows were shot. This conversation with Métis filmmaker Conor McNally addresses the aesthetic and political insights about Indigenous resistance and settler colonial dispossession emanating from McNally's film ôtênaw.Ĭontemporary television and racial capitalism in place Grounded abstractions: an interview with Conor McNally It’s been almost 50 years since the devastating coup that ended Chile’s “democratic road to socialism.” This experiment in film criticism aims to re-enliven a classic socialist work about that historical experience for our now-times. Lessons from The Battle of Chile (1975-79) The Eighteenth Brumaire of Patricio Guzmán: The special section editors map the terrain of contemporary Marxist film and media studies and introduce the collection of essays that comprise the dossier. For a Marxist critique of media in the contemporary conjunctureīy Michael Litwack, Beth Capper, and Christopher Robé Thanks for your understanding and thanks for being a part of Jumpcut.Introduction. This was a difficult decision to make, but it's part of the ongoing prioritization efforts at Yahoo!

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Shortly after 15 June 2009 the home page carried a notice: “Īs of Jthe site has been officially closed.

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We’ll send instructions to this email address when the download utility is available.Thanks for your understanding and thanks for being a part of Jumpcut.

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Very soon, we’ll be releasing a software utility that will allow you to download the movies you created on Jumpcut to your computer. This was a difficult decision to make, but it’s part of the ongoing prioritization efforts at Yahoo! On April 15, 2009, Yahoo announced the closing of its service in an e-mail sent to its users: “Īfter careful consideration, we will be officially closing the site on June 15, 2009. It was a difficult decision that we wish we didn’t have to make, but it was necessary in order to focus resources on other Yahoo! sites.

www jumpcut com view

If you’re looking for a place to upload and share your video, we recommend that you head over to Flickr. We will be keeping the Jumpcut site up and running for the foreseeable future so you‘ll still be able to play, remix and share your existing movies – you just won’t be able to upload anything new. We’re sorry to announce that we are no longer accepting uploads to Jumpcut. In December 2008 Yahoo posted the following announcement on the JumpCut upload main page: “ Jumpcut was acquired by Yahoo! in October, 2006. Jumpcut was founded in 2005 and launched the website publicly on 5 April 2006.












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